Elizabeth Legge

Faculty

Associate Professor, Department of Art History

UC A304
Campus: St. George

Elizabeth Legge has written on Dada, Surrealism, and contemporary Canadian and British art, in a number of journals including Art History, Word and Image, and Representations. Her interests include: the ways that artists have worked with and against language, the relationship of language and image; and the instrumental uses of religious, racial, and national stereotypes and rhetorics in art. In 2005 she was a visiting professor at the Humanities Centre at Johns Hopkins University.

PhD, Courtauld Institute

Modern/Contemporary
Dada
Surrealism
Contemporary Canadian and British art

“Pulling it Out of a Hat: Picabia, Gustave Lanson, and Man Ray’s cover for Littérature,” Nottingham French Studies, 62, no. 2 (2023): 158-77.
"Circling the Computational: Jean-François Lyotard and Michael Snow’s LaRégionCentrale,” in Adam Lauder, ed.Variable Conditions: Para-computational Arts in Canada, 1965-1995 (McGill-Queen's University Press, 2023).
“When Awe turns to ‘awww’: Jeff Koons’s Balloon Dog and the Cute Sublime,” in The Aesthetics and Affects of Cuteness, Joshua Dale, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra eds. (London: Routledge, 2017)
“Boring Cool People: Some British Boredoms,” in Boredom Studies: Postdisciplinary Inquiries. Julian Haladyn and Michael Gardiner eds. (London: Routledge, 2016)
“Nothing, ventured: Paris Dada into Surrealism,” in David Hopkins ed., Blackwell Companion to Dada and Surrealism (London: Blackwell, 2016) 11,000 words
Michael Snow’s Wavelength (Afterall/MIT, 2009)
Max Ernst: The Psychoanalytic Sources, Ann Arbor: UMI Research Press, 1989 (Series: “The Avant Garde”, ed. Stephen C. Foster)